Obviously, that’s something we’d like to extend, but I can’t really talk about a timeline for anything beyond after effects so far – but we know that’s the direction where we want to get to. Victoria Nece: We’re starting with native support in After Effects. We’re really going to streamline colour management, which is going to streamline interoperability – so spending less time on setting things up, and you can get right where you want to change creative things, and not just converting from A to B to C. Victoria Nece: One of the things we have coming (that I’m excited to be able to sneak at IBC) is native support for OpencolorIO and ACES. And going forward, a lot of that is about getting the tedious things out of the way. Our key focus is giving people more time to be creative. The boring stuff can get taken care of by things like Adobe Sensei, so you’re not spending your time on the set-up, but you’re able to get to the creative parts more quickly. Another thing we want to speed up is workflows – not just with processing power, but making it so that there are fewer repetitive tasks. We are working to speed up every piece of the users „waiting time“. It’s just “night and day difference” faster with preview and export and even the first launch is like seven times faster now. Especially if you’re on Mac with the M1 releases. And the “even more power” you’ll have tomorrow – we have that foundation in place. We spent the last couple of years rebuilding the core and enabling multi-frame rendering – so you can really take advantage of the full power of the machine our artists have today. Victoria Nece: We have some really exciting things on the way. Und auf der IBC haben wir mit Victoria über die Updates in Adobe After Effects gesprochen und sie hat uns einen Einblick in die neuesten Features gegeben – hier ein Auszug aus dem Interview auf Englisch, welches Ihr vollständig in unserer nächsten Ausgabe lesen könnt.ĭP: What is going to happen with After Effects next? Davor war sie Motion Designer und Director of Animation bei „The Documentary Group“ ( ) und leitete Grafik, Animation und Design für Dutzende von Produktionen in den Bereichen Rundfunk, Theater und Bildungsprojekte. Victoria Nece ist seit sieben Jahren Principal Product Manager für Motion Graphics bei Adobe.
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